文章

主页>>2013专题>>2013第十一届理论研讨会>>资讯>>文章内容

论坛发言人简介

来源 中国摄影家协会网 责编:流淌 2013-11-26

 
陈卫星 Chen Weixing
 
中国传媒大学传播研究院副院长,国际传播研究中心主任,教授,博士生导师。20世纪70年代曾在甘肃省插队,1982年毕业于华中师范大学历史系,北京电影学院摄影系研究生。1988年被国家教委公派赴法国留学,师从法国当代传播学奠基人贝尔纳•米耶热教授,1994年在法国斯汤达大学(格勒诺布尔第三大学)获得信息传播学博士学位,曾主编法国巴黎《欧中经贸》杂志。1997年回国任教于广州暨南大学新闻系,2000年调任北京广播学院(现中国传媒大学)国际传播学院从事教学、科研工作,并担任中国传媒大学亚洲传媒研究中心学术委员、广播电视研究中心研究员、复旦大学信息与传播研究中心研究员。2005年应联合国教科文组织邀请赴欧洲担任国际传播客座教授,2009-2010年欧盟高校联合体伊拉斯莫斯世界项目访问教授。主持“西方传播学的批判学派”等国家重点课题。科研成果先后获2002年第三届中国高校人文社会科学研究优秀成果奖三等奖,2006年第四届中国高校人文社会科学研究优秀成果奖三等奖和2006年北京市第九届哲学社会科学优秀成果奖二等奖等。
Professor Chen Weixing, Ph.D. supervisor, Director of the Center for International Communications Research, Communication University of China. In 1986 he entered the Photography Department of Beijing Film Academy as a postgraduate and then was sent by the State Education Commission in 1988 to the University Stendhal (GRENOBLE 3) in France where he got his doctor degree in Information and Communication Science and ever worked as the chief editor of Europe-China in Paris. In 1997, he returned to China to work in Jinan University in Guangdong Province and since 2000, he teaches in Communication University of China. He also serves as the member of Asia Media Research Center of China Communication Center, research fellow of National Center for Radio and Television Studies and fellow of Center for Information and Communication Studies in Fudan University. 
In 2005, he was honored as guest professor in UNESCO. He is also the guest professor for the CoMundus European Consortium’s Erasmus Mundus Programme 2009-2010. He also supervises National Important Research Project “Critical School of Western Communication Studies”. His academic research was awarded Research Achievements in the Humanities and Social Sciences (The Ministry of Education, 2002, 2006). 
 
 
克里斯汀•克恩 Kristine Kern
 
丹麦摄影中心总监、艺术史学家,曾经是丹麦发行量最大的报纸《政治报》(Politiken)的艺术评论家, 同时也是多家艺术杂志和期刊的特约撰稿人,参与多个艺术展览。她同时还在丹麦大学的艺术史系和Funen艺术学院授课。此外,她还是哥本哈根方舟现代美术馆、丹麦国家画廊和丹麦GL STRAND画廊的策展人。
克里斯汀•克恩( Kristine Kern)对于现当代摄影非常感兴趣,例如概念摄影以及与摄影有关的视频艺术。
Kristine Kern (Art Historian, mag. Art.)  has previously worked as a curator at the art centre GL STRAND at the National Gallery of Fine Art, Denmark, at ARKEN, museum of Modern Art and as a press coordinator at Louisiana, Museum of Modern Art. Furthermore she has been lecturing in art theory at the Fuen Art Academy and in contemporary art and art criticism at University of Copenhagen, department of Art History. Kristine has worked as an art critic for 10 years at the daily newspaper Politiken and has written various articles and catalogue texts on contemporary art. 
As the director at Fotografisk Center since July 2011 Kristine Kern has curated solo exhibitions with for an example Jacob Aue Sobol, Juilie Edel Hardenberg, Gitte Villesen, Larissa Sansour and Lea Porsager as well as several group shows featuring Danish and Scandinavian photography, photogravure and a mixture of art and press –photography.
Kristine is specialized in video art and related contemporary practices such as photography, film and media art.
 
姜  纬 Jiang Wei
 
评论家,策展人,出版策划人。中国摄影家协会理论委员会委员。上海摄影家协会艺术委员会委员。《海上摄影名家大系》编纂委员会委员。
在上海图书馆、上海美术馆、中央美术学院美术馆、爱普生影艺坊(上海∕北京)、鲲鲤国际影廊、安德雷斯国际艺术中心、中信泰富广场、艺博画廊、北京明天艺术中心等地策划摄影展览,同时在国内外许多媒体制作摄影专题、发表评论及专访文章,并主编出版了三十多种中英文影集。
担任广州国际摄影双年展学术委员和中国摄影年度排行榜终审评委,以及南方多媒短片节、中国大学生现代摄影大赛、上海国际摄影节、“徐肖冰杯”全国摄影大展、浙江当代摄影新锐展、上海青年摄影艺术大展、上海市摄影艺术展、 “伯奇杯”中国创意摄影展和TOP20中国当代摄影新锐展的评委。
获得第七届中国摄影金像奖理论评论奖、第三届连州国际摄影年展杰出策展人奖和2009丽水国际摄影文化节最佳策展人奖。
A curator, publishing planner and photography and culture critic.
He is the member of theory committee of China Photographer Association (CPA) and member of compilation committee of Year Book of China Photography; He is also a curator for many photo exhibitions. From 2006 to 2007, he was chosen as the “Most Important Photography Character of the Year” by FOTOMEN; Academic panel member of the Second Guangzhou International Photo Biennale in May 2007; September, 2007, winner of theory review award of the Seventh China Photography Gold Image Award. Dec. 2007, curator of Third Lianzhou International Photo Festival, and was awarded “Curator of the Year”. From 2007, He works as a publishing planner for “Documentary on Papers” photography series and has already published more than ten varieties books. Dec. 2008, curator of Fourth Lianzhou International Photo Festival; Sep.2009, be a part in judging panel committee of the South Multi Short Film Festival; Oct.2009 be a part in the Recommending committee of the South Reading Grand Ceremony; Curator in Lishui International Photo Culture Festival in Nov.2009; curator of 5th Lianzhou International Photo Festival.
 
斯蒂尔•斯蒂尔曼 STEEL STILLMAN
 
美国视觉艺术学院教授、艺术评论家,同时也是美国著名艺术杂志《美国艺术》(Arts in America)特邀编辑,并为纽约视觉艺术学院本科生和研究生讲授现当代艺术史课程。斯蒂尔的艺术作品植根于摄影艺术,在世界各地举办个人作品展览,其中包括洛杉矶东方画廊(Mandarin),阿姆斯特丹范杰尔德画廊(Galerie van Gelder),纽约安沃伊画廊(Envoy)。他参加的联展包括哈伊姆·施泰因巴赫(Haim Steinbach)策展,在纽约艺术中心(The Artist‘s Institute)举办的 “大照片”(The Bigger Picture),以及在纽约布鲁克林索洛韦(Soloway)举办的题为“2012年年度最佳”(The Best of 2012)展览。2014年,他将在纽约Show Room画廊举办个展,他的作品也被选中参加丹麦奈斯特韦兹主题为《微型巴洛克》(Minimal Baroque)的展览。
Steel Stillman is an artist and writer and a contributing editor of Art in America, where he regularly writes profiles of contemporary artists. Based in New York, his art work, often rooted in photography, has been exhibited in solo exhibitions at Mandarin in Los Angeles, Galerie van Gelder in Amsterdam, Envoy in New York, and elsewhere. Recent group shows include “The Bigger Picture,” curated by Haim Steinbach at The Artist’s Institute in New York and “The Best of 2012,” at Soloway in Brooklyn. In 2014 he will have a one-person exhibition at Show Room in New York, and his work will be included in “Minimal Baroque” at Rønnebæksholm in Naestved, Denmark. Stillman also teaches the history of contemporary art to BFA and MFA students at the School of Visual Arts in New York.
 
吴毅强 Wu Yiqiang
 
浙江大学美学与批评理论研究所博士生。主要从事西方现当代艺术批评理论的翻译和研究,译著托马斯•克洛《大众文化中的现代艺术》(江苏美术出版社,2014年上半年即将出版)。致力于从体制批评的角度入手,系统梳理理论领域从比格尔到布赫洛、福斯特和克洛,艺术实践领域从历史前卫到新前卫以及当代艺术的内在理路。近一年来介入当代摄影批评及理论研究,力图从当代艺术及影像文化研究的角度反观摄影本身。
Wu Yiqiang, Ph.D of Zhe Jiang University. His research interests are aesthetics and critic theory. He has successfully translated “modern art in the common culture” by Thomas Crow into Chinese version which is to be published earlier next year. He started to research in contemporary photography critique and theory in recent years, and is dedicated to review photography through contemporary arts and photography theory. 
 
邱亦坚 Qiu Yijian
 
东方设计学院摄影学位学程主任、专任助理教授,台湾摄影艺术博览会执行委员会会长。从事艺术展览策划、摄影教育、摄影艺术评论、摄影艺术创作、摄影艺术市场等工作多年。
艺术学博士。先后就读于日本大学、美国旧金山艺术大学,2005年毕业于东京艺术大学美术研究所,主攻跨领域互动媒体艺术学方向。
1994年开始,在美国、台湾等地多次举办个展。主持参与《天上人间——陈敬宝摄影展》、《光与手的刻画:十九世纪摄影技法巡礼》、《国外女性摄影家作品联展》、《光-呼吸 佐藤时启摄影展》、《海景——杉本博司 摄影展》、《从传统摄影到数位影像》等影展的策展工作。发表《与写真同欢》、《兔女郎化身美丽收藏品─时尚‧肖像‧人体-最“金”的摄影艺术》等文章。编有《摄影评论学》、《新现代摄影》等图书。
Dr. Edward Chiu, Department of Photography Preparatory Director of Tung Fang Design Institute, Assistant Professor, Chinaman of executive committee of Taiwan Photo Fair. He actively involves in art exhibition, photography education, photographic art critic, photography art creation and arts market. He holds a Ph.D degree of Art Theory and was educated in Nihon University and San Francisco Art Institute. In 2005, he graduated from Fine Art Institute, Tokyo National University of Fine Arts.
Since 1994, his art works have been exhibited in Taiwan and United States. He has worked on following exhibitions as a curator: 
Heaven on Earth, photographs by CHEN Chin-Pa;
Light and Hands – Vintage Print Collection from 1839;
Hiroshi Sugimoto Photo Exhibition;
International Female Photo Artist Exhibition;
From Traditional Photography to Digital Photography.
 
臧  策 Zang Ce
 
中国摄影家协会理论委员会委员,中国作家协会会员,中国小说学会常务理事,中国小说排行榜评委,天津新媒体写作研究会会长,山东工艺美院客座教授。著有《超隐喻与话语流变》等著述,以及学术论文、理论批评、散文随笔等百余篇。从事文学与摄影两个领域的“元理论”研究,创立“超隐喻理论”与“元影像理论”,其中多篇论文在国家级核心期刊发表及被《人大复印资料》转载,学术观点经常被学术界引用。《超隐喻与话语流变》一书受到著名学者、符号学家赵毅衡先生的高度赞扬,学术界相关书评二十余篇。2009年获国家级最高个人成就奖——中国摄影金像奖理论批评奖。
Member of China Writer Association,Member of Photographic Theory Committee of China Photography Association, Executive Member of Chinese Fiction Institution, Tianjin New Media Writing Research Association, guest speaker of Shandong University of Arts and Design. He has published a series of academic articles, art and theoretic comments. He focuses on the meta-theoretical study of literature and photography, and established “hyper-metaphor theory” and “meta theory of photograph”.He published “Hyper-metaphor theory and Discourse ”. In 2009,  he was awarded with “China Photography Golden Figure Award for Theoretical Critic”.
分享到:

相关文章

发表评论

请自觉遵守互联网相关的政策法规,严禁发布色情、暴力、反动的议论。

评价:

匿名?

最新评论 进入详细评论页>>系统已经禁止评论功能!